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Hiding in Ethereal Mist
09:25
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Utter Isolation
12:26
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Talv Italy
Talv started in early 2012 (previously as Trees In The Fog). A project of A., the only member of this one man band. The purpose is to put on raw, discordant and melancholic black metal with a touch of ambient.
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Söngvar elds og óreiðu
by Misþyrming
supported by 13 fans who also own “Üksildus”
Swirling guitars, furious drums, vocals that at the same time howl from infinite distance and are right up in your head; everything put into dissonant form with the help of unconventional songwriting. This album is my personal key to the icelanding black metal madness that I've ignored for way too long!
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.- -... ... . -. -.-. .
by Mesarthim
supported by 13 fans who also own “Üksildus”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian)
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supported by 13 fans who also own “Üksildus”
My obsession with Skáphe finally (inevitably) led me to check out more projects where Poole is involved. About fucking time.
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Altäre der Vergänglichkeit
by Wrack
Crushing blackened doom from this German band that counterbalances blinding fury with moments of surprising, melancholy melody.
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In advance of their November tour, catch up on the latest shredder from atmospheric black metal band Ghost Bath.
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Tokyo band contrast black metal's brutal complexity with shoegaze's abyssal grandeur, resulting in an LP that feels crushing, yet infinite.
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Life has gone on long enough
by NONE
supported by 12 fans who also own “Üksildus”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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